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Seller: Golden Legend, Inc. London: Jacob Tonson, First Edition.
Small 4to. Verso of half-title page features an advertisement for "The Works of Mr. John Dryden in Four Volumes," also published by Tonson. Four-page dedication to the Earl of Salisbury follows the title page.
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Play is complete with only minor foxing throughout. No tears or wormholes, but bottom corner of last leaf shows slight wear. Else Very Good. Bound early 20th C. Binding Fine. The remarkable condition of the interior, devoid of wormholes and egregious foxing, is unusual and is thus worthy of the elegant binding in which it is contained.
This is Dryden's final play, which is noted for the inclusion of a song by Congreve. Indeed, Dryden foresook the stage for the purpose of undertaking his translation of Virgil. A contemporary reference to the reception of this play can be found in "The Plays and Poems of Shakespeare," , vol. II, p.
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Written by Mr. First edition. Modern paper boards, title printed in black to spine. Ex library; a small, very discreet, embossed stamp to t. The first and second leaves are moderately soiled; the title-page has a paper repair along the inner margin with some type loss; in the phrase "By Their Majesties Servants," the word "by" is missing; there is another small repair at the upper, fore-corner. Occasional, very light foxing to text leaves.
The binding is heavily soiled.
This is a good copy. Seller: Boston Book Company Published: Very good condition.
Octavo 8vo. Bound without the half-title. Hardcover binding with leather spine and corners, and marbled paper-covered boards.
Love Triumphant (Published) - Chris - Wattpad
The spine is moderately worn and rubbed. Minor staining and soiling scattered throughout text. Fabio was the taller of the two, white of complexion, with ruddy-gold hair, and had blue eyes. Muzio was less animated in conversation also; nevertheless both friends were equally favoured by the ladies; for not in vain were they models of knightly courtesy and lavishness.
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At one and the same time with them there dwelt in Ferrara a maiden named Valeria. She was considered one of the greatest beauties in the city, although she was to be seen only very rarely, as she led a retired life and left her house only to go to church;—and on great festivals for a walk.
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She lived with her mother, a nobly-born but not wealthy widow, who had no other children. Valeria inspired in every one whom she met a feeling of involuntary amazement and of equally involuntary tender respect: so modest was her mien, so little aware was she, to all appearance, of the full force of her charms. Some persons, it is true, thought her rather pale; the glance of her eyes, which were almost always lowered, expressed a certain shyness and even timidity; her lips smiled rarely, and then but slightly; hardly ever did any one hear her voice.
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But a rumour was in circulation to the effect that it was very beautiful, and that, locking herself in her chamber, early in the morning, while everything in the city was still sleeping, she loved to warble ancient ballads to the strains of a lute, upon which she herself played. Fabio and Muzio beheld Valeria for the first time at a sumptuous popular festival, got up at the command of the Duke of Ferrara, Ercole, son of the famous Lucrezia Borgia, in honour of some distinguished grandees who had arrived from Paris on the invitation of the Duchess, the daughter of Louis XII, King of France.
Side by side with her mother sat Valeria in the centre of an elegant tribune, erected after drawings by Palladius on the principal square of Ferrara for the most honourable ladies of the city. They agreed between themselves that they would both try to make close acquaintance with Valeria, and if she should deign to choose either one of them the other should submit without a murmur to her decision.